Forty years ago, California’s Santa Anita racetrack hosted one of the greatest show jumping competitions of all time—the Olympics. That ended in a team gold for the USA, as well as individual gold for Joe Fargis and silver for Conrad Homfeld.
On Saturday night, the first grand prix at the venue since the 1984 Los Angeles Games emerged as a worthy successor to that landmark confrontation of decades past. A top-quality field of 40 (including the entire U.S. Paris Olympics silver medal team) gave the fans an exciting evening in the $400,000 Longines FEI World Cup qualifier that wasn’t decided until the last entry wrapped up the eight-horse tiebreaker.
The class in the shadow of the track’s starting gate belonged to Karl Cook and one of the fastest horses in the world, Caracole de la Roque, whose exacting, agile turns enabled the duo to outdistance Israel’s Daniel Bluman and Corbie V.V. by 1.68 seconds. Daniel continues to lead the North American League standings for the Cup.
Cara, as the winning horse is known, seemed to simply fly around the course designed by Anderson Lima of Mexico for the class that was part of the Split Rock jumping tour.
Caracole de la Roque and Karl Cook. (Shannon Brinkman photo)
The partnership between Karl and his mount continues to develop and deepen with every competition.
“She’s amazing. So game. So committed. She understands what’s going on before I do,” said Karl, who rode on the USA’s Paris team with Laura Kraut and McLain Ward, neither of whom made the jump-off at the track.
Laura had two rails with Baloutinue and McLain tapped the third part of the triple with Callas. Kent Farrington, who was named to the Paris squad but didn’t ride when his horse was under the weather, had been clear until the final fence with Toulayna.
Of his brilliant Selle Francais mare, Karl explained, “Every moment on her is a pleasure. As long as we’re going forward with speed, then there’s no `no.’ ”
Daniel also was aboard a mare, a newer ride with a dynamic spirit.
For his part, he observed, “If I give my 70 percent, [Corbie] is probably going to jump a clear round.”
Daniel Bluman and Corbie V.V. (Shannon Brinkman photo)
The rider, who has finished among the top 10 in each of the first four legs of the North American League season, added, “That’s a great feeling, to be able to have when you have this level of competition. I think the future is bright for her.”
Karl had the advantage of going last in the tie-breaker to log his clocking of 41.19 seconds, where the first to go, Ashlee Bond of Israel on Donatello had an incredible time of 40.44, but dropped two rails in the process to finish seventh.
Ireland’s Cian O’Connor balanced speed and caution with a new horse, a grey appropriately called Iron Man, finishing in 44.68 without dropping a rail to finish third.
Unexpectedly, chilly rain fell during part of the class in normally warm Southern California, but the riders coped admirably.
The Longines FEI World Cup qualifier course
The victory had special meaning for Karl, a native Californian.
“This is a wonderful setting, a historical setting, one that deserves, in my mind, show jumping,” he said. “I’ve wanted this investment—in time, people, and money—in California for so long.”
Disappointingly, however, Santa Anita is not a candidate to stage its second Olympics four years from now.
It was a wonderful venue in 1984, when all the equestrian competition was presented there except eventing cross-country (which was held at a nearby golf course). I will never forget seeing the racetrack’s grandstands packed to capacity with cheering fans as amazing sport took place.
The World Cup qualifier offered a compelling invitation to continue the highest level of the sport in the Golden State, and particularly at Santa Anita, but the Olympics is going to the 240 acre-Galway Downs venue in Temecula, because the 2028 Games organizers decreed each part of a sport must be held in the same location. There is no place for cross-country at Santa Anita.
Next for Karl is the Geneva, Switzerland, show in December as he continues to produce encores for his Paris performance.
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