by Nancy Jaffer | Jun 11, 2026
The new version of Wellington International will be as much a showcase as it is a showgrounds.
The finishing touches are being put on the expanded and upgraded host of the 2027 Winter Equestrian Festival, the world’s longest horse show. Dressage competition will share the revamped location with the centerpiece hunters and jumpers, who have occupied it mostly on their own for the last 14 years.
An additional 98 acres added to the once-crowded facility offers space for construction of the site’s first covered arena, new stabling, installation of the grass field, and addition of more rings both for competition and exercise, as well as facilities geared to spectators for dining, shopping and viewing the competition. Permanent restrooms, including those located by the barns, in the show office and the VIP area, will be another welcome improvement, along with shade structures offering shelter from the bright sun.
The new covered arena.
There will be an international dressage arena measuring 250 by 350 feet, with covered seating for 3,000, as well as two dressage rings for national dressage competition. While the jumpers “will be close,” they won’t be on top of the dressage horses, as they were at the showgrounds in the days before nearby Equestrian Village became a venue for the discipline.
Having a total of 215 acres will afford much more parking than there has been at the main grounds, with institution of a golf cart shuttle system for those seeking to skip a long walk between the North and South sections of the property. There also will be dedicated rider shuttles between the barns and the rings.
Wellington International President Michael Stone by the new grass field.
Meanwhile, having three entrances and exits, to the showgrounds, instead of one bottleneck access route, also should ease the traffic jams that have become a standard frustration as cars leave after a major competition. While the current Pierson Road entrance will remain, two other entrances will be available from Gracida Street on the other side of the property.
The enlarged facility was required to be open by 2028 as part of a deal to enable construction of Wellington Lifestyle Partners’ luxury housing development on what was the former Adequan Global Dressage Festival grounds, which have been in operation during the winter months at Equestrian Village since 2012.
Michael Stone and Mark Bellissimo when the Adequan Global Showgrounds was under construction in 2011.
The work on the expanded main showgrounds is being finished early, however, and will be ready for a soft opening later this year.
“We’re really excited to get going,” said Michael Stone, president of Wellington International, noting the expansion “means we have way more space.
Plantings will beautify the showgrounds as they grow.
“One of the criticisms we’ve always had is that we don’t have enough space; too many horses on a small footprint.
“But now we’re doubling the footprint. Even though we’re bringing over dressage, it only takes up a relatively small amount (of acreage). We have all these new rings and bridle paths and parking to enhance the experience,” he observed.
The abundant parking is particularly important for dressage, since many of those who compete are in “show and go mode,” heading back to their farms after competing, rather than stabling on the grounds, as most of the hunters and jumpers do.
The lack of space and parking made for a situation “that people have been justifiably critical of over the years,” as Michael pointed out. The first year the expanded grounds is in operation, he acknowledged, will be a bit of a learning experience, as competition manager and chief operating officer David Burton works on coordinating everything, a project which already is under way. The idea is a schedule that insures someone won’t be showing on the South grounds and then five minutes later have to appear with another horse on the North grounds.
One of the large exercise rings.
“We’ll refine it as we go along for the hunter/jumper side. The dressage side is pretty straightforward, with a lot more room for warm-ups. It’s a much better venue for dressage,” Michael contended.
Although WEF and other shows at the site draw riders from all over the Western Hemisphere, Europe, the Middle East, Asia and Australia, the facility is no longer one of a kind, as it was in its early days.
Florida has become the epicenter of showing in the U.S. during the winter. Not only has the World Equestrian Center in Ocala, four hours to the north gotten a share of the spotlight with its 5-star hotel, restaurants and shopping, but TerraNova, another newer development three hours west of Wellington, also has a modern facility that is an attraction.
Crowds jammed the stands for the featured 2026 Rolex US Open $1 million grand prix at Wellington International.
“We clearly have a lot of competition,” Michael observed.
But he quickly added, “We welcome competition, because the better the competition, the better we will become.”
by Nancy Jaffer | Jun 9, 2026
At the Devon Horse Show, all the attention is on the champions of the moment; those who win the hunter derby, the division titles, the leading rider honors.
But for one evening each year, after the hunter classes at the show have ended, there is a gathering to offer accolades and share memories. Those who have made a lasting impression on the sport over the decades are honored at the National Show Hunter Hall of Fame’s annual dinner. Since 1995, the names added to the Hall’s roster have included scores of legends.
Among them are riders, trainers, breeders and organizers who are well-known today, such as Rodney Jenkins, Leo Conroy, Sallie Wheeler and Diana Dodge. Less contemporary, but equally respected, are the likes of Peggy Augustus, Junie Kulp, Hope Montgomery Scott and Gordon Wright, as well as so many others who made their mark over the generations. Induction into the Hall ensures a place in a pantheon of greats who will never be forgotten because of their contributions to the sport.
As master of ceremonies Scot Evans observed, the hunters are “where it all begins” for so many international riders.
“That’s the American system.”
The Hall, founded by Carol Maloney, is chaired by trainer Jimmy Lee, who is assisted in running the organization by Kathy Gilbertson. As Scot noted they are “the two people who are keeping this together.”
Nina Bonnie, one of the 2026 inductees, is an achiever in multiple ways. They include a winning record in the show ring on horses she bought young and made herself. Beyond that, she has served horse sport and the Kentucky Horse Park.
Nina Bonnie with her sons, Shelby and Robert.
Always gracious and personable, she came by her sense of duty not only as a personal obligation, but also as a heritage. This spring, she followed her late mother, Mrs. A.C. Randolph, into the Hall. Mrs. Randolph bred and trained show horses, as well as race horses and field hunters. She served as master of the Piedmont Fox Hounds for more than 40 years, and her grandsons also became masters of foxhounds.
Nina, who was married to the late Ned Bonnie, was introduced by her sons Shelby and Robert at the dinner. In addition to being a top amateur rider, she served as chairperson of the Kentucky Horse Park and started its foundation.
“I’ve had a wonderful time. I love what I’ve done at the horse shows and I hope all of you all continue to do it for a long time. It’s a great sport,” she told those at the dinner.
Nina continues to ride, currently enjoying a former steeplechaser who has become a pleasure mount.
Humor always has a place at the dinner if the speaker handling an induction lets their wit shine through. When Don Stewart is doing the honors, it’s really a roast, and you know it always will be good for more than a few laughs.
Don said that because Archie’s father and stepmother would be on hand at the dinner, the honoree wisely suggested “don’t be too rude.”
Archie is originally from Long Island in the Locust Valley area, where he trained with Cynthia Williams (who was on hand at the dinner) and was “surrounded by upper crust, entitled, wealthy snobby neighbors,” Don related with a smile, noting he did “dodge the `Locust Valley Lockjaw’ accent.”
Mentioning that Archie graduated from Drew University with a degree in political science, Don suggested that had he chosen that line of country for a career, he probably would have been a success in it because “he can argue like no other.”
After a stint training in New Jersey, Archie moved to California for a job with Karen Healey and wound up staying. After opening his own Brookway Stable, he went on to train the winners of 53 national high score awards. Some of his most notable students, as cited by Don, were Olympian Lucy Davis and Stephanie Danhakl “winner of everything.”
Archie chuckled as Don stepped away and he took the microphone, “I think that went pretty darn well compared to how it might have gone…”.
Archie Cos with Scot Evans and Jimmy Lee.
Of his philosophy toward horses, he said, “Let them be as good as they can. I’ve had great horses and great owners and I look forward to quite a few more years doing this.”
The most emotional speech came from Andre Dignelli, best known for his equitation training success. His brother and business partner in Heritage Farm, Michael Dignelli, introduced him at the dinner. The two have always been a team.
Michael and Andre Dignelli.
Andre, who was near tears several times during his speech, told of getting started with no money but with an abundance of determination.
“We had a lot of love and not a lot of anything else,” he recounted about growing up with very caring parents.
“We had a makeshift little barn in the backyard, a couple of off-the-track thoroughbreds we got out of a local Pennysaver. We’d go to local horse shows. We would take in all the free lessons.” That meant watching their “heroes,” such as Rodney, Leslie Burr and Katie Monahan and picking up on what they saw.
“We would go home and jump garbage cans and learn how to braid,” he remembered.
While many doors were closed to Andre, Hall of Fame member Judy Richter opened her door.
She was generous but also no-nonsense, and he worked hard at her Coker Farm.
“I was terrified of her.” he admitted. She was the key to his future, and they grew to understand each other.
“If you want to keep a horse out back in the tractor shed, there’s a place for you here,” she advised, before giving him his biggest breaks. He went on to ride a junior jumper owned by her son in the 1985 USET finals.
“Winning that class changed my life, It was the first time I actually felt `seen,’ ” he told his audience. Andre went on to ride another of her horses to a team bronze medal at the Pan Am Games in 1991.
The trainer, who survived kidney cancer with a transplant from his husband, noted, “The most rewarding part of my job has been the hundreds of students I have taught and mentored. They have stood on the podiums as my students and my alumni from Pony Finals to the Olympics Games and everywhere in between.” (His former student, Tori Colvin — who won the USET class in 2015 — was honored at the Hall dinner as Lady Rider of the Year. And another former student, Kent Farrington, was ranked number one internationally in June).
The McKinney family was recognized for its long history in the horse world. Rigan McKinney, a famed steeplechase jockey and trainer, owned and operated the Stony Point horse farm in Lexington, Ky. One of his daughters, Tamara McKinney, a star U.S. skier, was also an accomplished rider as a junior.
The McKinney family reviewing their photos at the dinner.
Her step-sister, Laura, became the owner of Stony Point, and in between working with her race horses, rode hunters, as did her mother, Frances McKinney. Laura’s sister, Ouisha, an equine artist specializing in wool and earthenware, also is involved with the farm.
Horses have their own place in the Hall, and two were inducted for 2026. They are Becky Gochman’s Catch Me, ridden by Scott Stewart (a boxed Breyer model of the memorable Holsteiner was on every table) and Betsee Parker’s Lone Star, ridden by Hunt Tosh, who spoke about how much that special horse meant to him.
Aside from the inductees, many other awards (such as the one that went to Tori) are presented at the Hall dinner. Betsee, whose California Love was Regular Conformation Hunter of the Year and Horse of the Year, got the Owner of the Year trophy and Scott Stewart, California Love’s rider, took the tricolor as Gentleman Rider of the Year. John French was Trainer of the Year.
Betsee Parker plants a kiss on Scott Stewart.
Wunderkind J.J. Torano was named Hunter Seat Equitation Rider of the Year. But that title is an understatement when looking at his achievements. He rode in the hunter derby at Devon, where he was a winner in the jumpers, and he also won a jumper class at Upperville the following week.
JJ Torano in the hunter derby at Devon.
by Nancy Jaffer | Jun 9, 2026
London Olympics 2012 show jumping course designer Bob Ellis has died at the age of 79 after a short illness.
Course designer Guilherme Jorge, who worked with Bob in London, called him “a great horseman, a great course designer and a great friend. His leadership and the way he looked after his team is something that I will always remember.”
Bob was a rider who began building courses in the 1990s under the mentorship of Jon Doney. He stopped riding in 1993, concentrating on course designing and achieved the FEI’s O status, enabling him to design courses at some of the world’s major competitions.
The crowning achievement of his career came at the London Olympics, where he created a series of iconic courses featuring fence designs that showcased Great Britain to a global audience.
He will be remembered not only for his outstanding contribution to the sport, but also for his ready smile and infectious sense of humor.
U.S. judge David Distler recalled, “I had the privilege of working with Bob on a number of occasions. Each time I came away with a greater understanding of courses, thanks to the generous sharing of his knowledge.
“One of the very best to ever lay a rail, a true genius, with a wonderful sense of humor. A mentor to so many.”
A statement from British Showjumping said Bob’s “distinctive style, creativity and ability to challenge competitors while always prioritizing horsemanship earned him international recognition and respect.
“Throughout his career, Bob was admired not only for his professionalism, expertise and eye for detail, but also for his warmth, humor and unwavering passion for the sport. He inspired generations of riders, officials and fellow course-designers, many of whom benefited from his guidance and mentorship.”
by Nancy Jaffer | Jun 7, 2026
A week after Caroline Pamukcu was first and second in the Open Preliminary at the Essex Horse Trials, that prep paid off as she rode the same horses to top the 4-Star Long at the MARS Bromont event on Sunday.
The order of her mounts’ finish was reversed this time, though, with Essex runner-up HSH Double Sixteen, a thoroughbred, taking the top prize and She’s the One coming second. Both horses were free of jumping faults on cross-country, but each had two rails in stadium. Double Sixteen finished on 47.5 penalties while She’s the One accumulated 13.6 time penalties on cross-country.
Another U.S. rider, Tracey Bienemann was third with 57.9 penalties on Venezuelan River.
Caroline said her mounts, “Both of them are just fabulous horses, and I’m just so happy for the owners – they deserve it. They’ve been with me since day one, so it’s just great to do well for them, and do well for the horses.
She noted ” ‘Six’ was fabulous all weekend. There’s so much more improvement that can be done, but again, remember, they’re both 11-year-olds, and I think they both have bright futures. Their cross-country rounds were immaculate. They’re just absolute machines, but again, [there’s a] lot more work [that] can be done – the dressage and the show jumping – and even with the cross-country, I can fine tune some things. But I’m so happy because I felt confident this weekend. So that’s the biggest thing – the biggest takeaway.”
The cross-country courses were designed by Derek di Grazia, who also does the Kentucky 5-star, and Jay Hambly.
The 3-Star Long went to Canada’s Colleen Loach, while the 2-StarLong was a wire-to-wire win for Lucienne Bellissimo and Dyri. In the 4-star Short, old friends Phillip Dutton (Denim) and Boyd Martin (Fetiche des Rouges) were 1-2.
Click here for results
by Nancy Jaffer | May 9, 2026
Every other year, the Tewksbury Historical Society and the Tewksbury Trail Association collaborate on a tour of interesting barns in the township.
Whether you’re someone who keeps farm animals, or simply fantasizes about having a barn of your own, the tours offer an interesting glimpse into a type of architecture beloved in areas where the countryside is a valued asset — as it is in Hunterdon County.
One of the barns that will be on the tour.
This year’s tour, the fourteenth in the series, will be offered June 20 from 10 a.m.-3 pm.
Five barns will be showcased. A farm that has been in the same family for generations features a multi-use barn. An original dairy barn from Pennsylvania has been relocated for use as a stable.
A relatively new barn, just 20 years old, is situated at the end of a long, meandering driveway. At one location, visitors will see a barn constructed by the Amish and convenient to a trail offering access for those who want to go horseback riding.
Advance tickets are $40 until June 18 at 8 p.m. They will cost $50 per person if purchased on the day of the tour. Tickets for children ages 11-18 are $5, while children 10 and under are admitted free, both in advance and on the day of the tour. Tickets are limited and can be purchased on line thru PayPal at www.tewksburyhistory.net using any major credit card.
Patrons must pick up their tickets at Tewksbury Historical Society Headquarters, 60 Water St., Mountainville in the Lebanon section of the township on June 20 from 10 a.m.-1 p.m.. Tickets purchased in advance will not be mailed.
by Nancy Jaffer | Jun 4, 2026
The U.S. Department of Agriculture confirmed New World Screwworm has expanded into Texas, according to a statement from the U.S. Equestrian Federation. It was found in two calves in Zavala County. Officials have been watching for months as the infestation moved toward the border from Mexico.
It spreads via maggots that feed on living tissue of any warm blooded animal, including people. Horses, cattle, wildlife pets and their owners could all be affected. Rapid detection and response are essential. The larvae are deposited on wounds or superficial body cavities, such as the nose and sheath of horses, where they feed and grow. Untreated wounds often develop multiple infestations which are more likely to kill the animal.
Widespread screwworm infestation could have serious consequences for animal health, agriculture productivity, and the national economy. A widespread outbreak will disrupt livestock movement and trade, increase veterinary and surveillance costs, and place major burdens on producers, animal health officials, and event organizers. Early detection and response is critical to stop the spread, according to USEF.
Horse owners can protect their horses from screwworm by checking daily for any wounds, drainage, foul odor, or unusual irritation, and by cleaning and protecting even minor cuts as soon as they are found to reduce the opportunities for the screwworm fly.
Consistent fly control, good stable hygiene, and careful monitoring after injuries or surgery can help reduce risk, since screwworm flies are attracted to open wounds and body openings. If a horse develops a wound that worsens quickly, has a bad smell, or contains visible maggots, the owner should contact a veterinarian immediately so the horse can be evaluated, treated and reported if needed.
Federal and state animal health officials will dictate the procedures around screwworm cases. USEF can help competition organizers and participants. Horses infected with screwworm or in a geographic area with screwworm present are likely to be placed under quarantine.
State animal health officials will have the discretion to implement movement restrictions in these situations. States may restrict equine movement and activities in a geographic area. State and federal animal health officials are finalizing the protocols for responding to screwworm incursion. Those who live in or are traveling to a state where screwworm has been reported should visit the website of the relevant state veterinarian for the latest information on screwworm response and prevention.
USEF veterinarians are working with the states to develop a response plan that would allow healthy, safe competition to continue in the event of a screwworm detection in the U.S. Any protocol for events during a screwworm incursion would be at the discretion of state veterinarian. Entry requirements for an event could include a requirement for veterinary examination for issuance of a certificate of veterinary inspection, which includes an antiparasitic treatment (ivermectin/dectomectin) statement and examination on arrival. The Federation will post updates and protocols on the dedicated New World Screwworm webpage at this link.
by Nancy Jaffer | Jun 4, 2026
As keeping horses has become increasingly pricey, the amount competitors pay for showing on top of that has developed as a major economic issue. There is a tendency to blame the shows for over-charging, intimating that competitions are making huge profits off the exhibitors. But such accusations generally come from people who have no idea what it takes, or costs, to put on a show. They have no idea of the profit margin (if there is one) realized by competitions, particularly the smaller shows serving the all-important base of the sport.
Without a base, nothing can be built. If equestrian competition is seen as being only about the elite upper levels, that can hurt more than the sport’s image in the era of social license to operate. Such a perception also can discourage those who feel showing — viewed as a goal after all those lessons — is out of their price range. As a result, they may not continue to ride and go elsewhere for their exercise.
What does it cost to put on a horse show? Marnye Langer, who runs the Langer Equestrian Group shows in California, has produced a piece explaining the business model. Here is an edited version of what she wrote:
Horse shows are extraordinarily expensive to produce, even before a single ribbon is handed out. That is something many exhibitors – and increasingly, policymakers – fail to fully appreciate.
The public conversation around the U.S. Equestrian Federation channel system and the future of competition often assumes there is a large amount of fat built into horse show pricing. The reality is quite the opposite, especially for smaller shows. Margins are frequently thin, costs are largely fixed and many of the expenses exhibitors dislike most are not profit centers at all. They are simply mechanisms to cover operational necessities or pass through costs collected on behalf of associations.
Take staffing: A horse show requires an enormous workforce to function safely and professionally. Labor costs extend far beyond judges and course designers. They include office personnel, ring crews, maintenance teams, jump crews, in-gate staff, parking attendants, hospitality workers, and security. Those positions exist whether the show runs three days or five, three rings or five.
And importantly, these are not optional expenses.
A hunter/jumper competition cannot simply decide to eliminate EMT coverage, forego insurance or skip licensed officials because entries are down. Most of the core operating costs remain fixed regardless of the competition’s size or designation.
The same applies to venue costs. Facility rental, footing preparation, utilities, manure removal, tents, stalls, generators and equipment rentals represent substantial line items that do not meaningfully decline simply because a show is categorized differently under a channel framework. In many cases, regional competitions actually face higher proportional costs because they lack the economies of scale available to larger circuits.
Even when a horse show operates at a facility under the same ownership structure, the venue itself is not free. Someone still pays for footing maintenance, equipment, utilities, staffing, insurance, paving, landscaping, manure removal and ongoing repairs. This is also true for farms that host smaller local competitions. Rest assured, they have invested substantial money into making those properties functional for horse shows.
This is an important point because there is a persistent assumption that facility-owning show managers somehow operate without meaningful overhead. They do not. In many cases, horse show revenue is what keeps the facility itself financially viable.
Another uncomfortable truth: Ancillary revenues matter tremendously.
Exhibitors often view feed, shavings, office fees, nomination fees and sponsorship programs as excessive add-ons. In reality, those categories frequently determine whether a competition survives financially. Particularly for smaller and mid-level competitions, sponsorship revenue is limited or nonexistent. That means operational sustainability falls heavily on entries, stalls and associated exhibitor fees.
And even then, profitability is far from guaranteed. Weather disruptions, lower-than-expected entries, rising insurance costs, labor shortages, fuel prices and facility fee increases can erase margins quickly. A competition that appears “busy” from the outside is not necessarily financially successful.
This is why the assumption that (regional) Channel 2 competitions automatically create a lower-cost environment is so problematic.
The USEF channel system largely adjusts classification and prize money requirements. It does not materially reduce the overwhelming majority of production expenses that drive horse show economics. All the “things” still have to happen. Judges, course designers and EMTs still need to be hired. Rings still need dragging. Footing still needs maintenance. Insurance premiums do not suddenly shrink because a show is labeled “regional.” The list goes on.
If anything, smaller competitions often face a more difficult economic equation. They have fewer entries over which to spread fixed costs, less sponsorship support and less leverage when competing for labor and vendors against major circuits.
That reality matters because regional and mid-level horse shows are foundational to the sport’s ecosystem. They are where riders develop, trainers build businesses and new participants enter the industry. If those competitions become financially unsustainable, the long-term impact extends far beyond a single horse show’s balance sheet.
The concern is not simply whether some shows will disappear. It is whether the sport can maintain a healthy competitive middle class at all. Because once regional competitions vanish, rebuilding that layer of the industry becomes extraordinarily difficult.
by Nancy Jaffer | Jun 5, 2026
On the heels of his victory in the Devon Horse Show’s USHJA International Hunter Derby, Lafitte de Muze traveled a few hours south to take another derby in Virginia at the country’s oldest show on Friday.
Triumphant at the Upperville Colt & Horse Show for the third time in a row, the 15-year-old Belgian warmblood gelding responded beautifully to rider Amanda Steege at one of his favorite venues.
“He’s always gone fantastically in this derby, and I really enjoy showing here because of the large number of spectators who come to cheer us on. There aren’t many places where you get that kind of crowd in such an intimate setting. When he does one of his extra-special jumps, I can hear the crowd say, ‘Oooh! Ahh!’ and I really enjoy that part of showing here,” said Amanda, who presents the horse with the help of her barn manager and partner, Tim Delovich.
She was the final rider to go in the classic round, earning scores of 91 and 92 from the judges, along with four high-option bonus points from each panel. That put her in the lead with her longtime partner, owned by Cheryl Olsten.
Returning for the handy round, she and Lafitte handled the course beneath Upperville’s scenic oaks. Scores of 92 from each panel, combined with an additional 14 high-option bonus points, secured the victory and completed their three-peat at the venue.
Evan Coluccio rode Mary Antonini’s Dorian Grey to second place on a score of 368, while Kate Conover guided Privet Farm, LLC’s Proud to Be to third place with 358 points.
by Nancy Jaffer | Jun 4, 2026
America’s top-ranked dressage horse, Indian Rock, isn’t part of the U.S. contingent headed to Europe this summer.
The stallion’s owner, Heidi Humphries’ Zen Elite Equestrian Center, posted Thursday on social media, “After a lot of discussion with the team, we’ve decided not to include Indian Rock in our summer championship team plans this year.”
The U.S. is sending a group of horses to Germany to train in preparation for August’s world championships at Aachen. The squad that will compete at Hagen includes Rocky’s rider, Christian Simonson, on Fleau de Baian, Jordan LaPlaca (Gold Play), Meagan Davis (Toronto Lightfoot) and Anna Marek (Fayvel).
“Rocky has given us an incredible season, and we couldn’t be more proud of everything he has accomplished. He has exceeded our expectations in every way, and we feel the best decision for him right now is to enjoy a well-earned break and some time to simply be a horse,” the Zen statement said.
The 13-year-old Rocky finished second in the Zen Elite World Cup Finals in April with Christian in the saddle, then went on to the U.S. national championships in May. While he won the Grand Prix at that competition, Rocky had a couple of tricky moments in the Special the next day, and Christian made an error of course during the test. Rocky did not appear for the Freestyle two days later.
Rocky got a kiss from his rider after winning the Grand Prix at the national championships.
“We believe that building great horses for the long term means knowing when to continue forward and when to give them the opportunity to recharge,” the Zen statement acknowledged.
Rocky, part of the 2024 Dutch Olympic team and the eighth-ranked horse this month in the international standings, “has taken us on an amazing journey this year (one we couldn’t have dreamed up any better), and we want to set him up for continued success in the years ahead,” the Zen statement continued.
“We are incredibly grateful for the support of our entire team and the many people who have cheered Rocky on every step of the way.
“This summer, we’ll be proudly cheering on the rest of Team USA, including Christian and our handsome `lion,’ Fleau de Baian.”
Felix, as he is known, won the Freestyle and finished fourth overall in the national championships. Christian is ranked seventh among the world’s riders.
Christian Simonson and Fleau de Baian.
“Thank you for being part of Rocky’s story. @christian.simonson, @adrienne.lyle and I can’t wait to see what the future holds for this very special horse” the Zen statement concluded.
The loss of Rocky is another blow for the U.S. world championships team, which also won’t include Jane, Alice Tarjan’s mare ridden by Marcus Orlob in the 2024 Olympics. Jane was out with an injury during the winter after showing in Florida. She is rehabbing and isn’t part of the U.S. group going to Europe.
Meanwhile, U.S. National Grand Prix Champion Ellesse Gundersen, with her homebred Quintessential 4, did not apply to be on the world championships team. There is no “wiggle room” to get her on the team, USEF reported.
Fayvel did not compete in the championships at WEC, but is a well-traveled veteran. Meagan and Toronto Lightfoot were third overall in the championships while Jordan was fifth.
Ashley Holzer, second in the national championships with Hawtins San Floriana, will be going to Britain rather than Germany in order to train and compete under the eye of her coach, Carl Hester.
Named to ride as individuals in the 4-star at Hagen are Kasey Perry-Glass (Heartbeat WP), thirteenth in both the Grand Prix and Special, who did not compete in the Freestyle at the championships, and the second-highest ranked U.S. dressage rider internationally, Genay Vaughn, thirty-ninth in the world standings. She did not ride Gino in the Freestyle at the national championships after finishing tenth in the Grand Prix and fourteenth in the Special.
Riding in the 3-Star at Hagen will be Ellesse; Christian’s trainer, Adrienne Lyle, who swept competition at that level at the World Equestrian Center in May with Helix, and Quinn Iverson (Gremlin 41). Katie Duerrhammer (Rosebank VH) will ride in the 1-Star there.
by Nancy Jaffer | Jun 2, 2026
It was rare to see Jean Lindgren without a smile.
Cheerful and unflappable, she brightened everyone’s day, whether you were with her for a minute or spent some time chatting.
A fixture at the Hampton Classic horse show, where she and her husband, Tony, served for decades as executive directors, she died May 27 after succumbing to heart disease.
“Her sense of humor and mine sustained us for 52-plus year, through tough times and easy ones,” Tony remembered.
“She never lost her trademark sense of humor and I miss her deeply. But her smile endures!”
Jean Lindgren is remembered for her trademark smile.
Update: A celebration of her life is planned for August 6 at Long Beach in Sag Harbor, N.Y., from 6-8 p.m.
The show cited her approach of “Live for the moment,” in a social media statement after her passing.
“That was the personal motto for Jean Lindgren, executive director of the Hampton Classic alongside her husband, Tony Hitchcock, for 30 years and then a devoted worker and the face of Will Call for many more. And how many moments there were.
“We are heartbroken at her passing. We will consistently remember her smile, warming presence, brilliant wit, love for the horse show, and most importantly, devotion to her family and friends. We will miss you Jean. We wouldn’t be here without you.”
Misti Cassar observed that “Jean was an angel and always had a contagious smile. I always enjoyed our conversations. She lifted my spirit up so many times with her gentle soft voice and encouraging words.”
That was a sentiment echoed by so many who had the privilege of knowing her.
