by Nancy Jaffer | Nov 17, 2024
It’s the West coast’s version of “indoors,” the time-honored circuit that runs from the end of September through the beginning of November in the East.
The Las Vegas National, hosting the Marshall+Sterling Insurance/U.S. Hunter Jumper Association National Championships, is a standout standalone for a region where the most important shows are outdoors.
The venue is a casino hotel, the South Point. It’s 570,000-square-foot equestrian complex under one roof has 1,147 indoor stalls and hosts 46 weeks of equestrian sport annually.
Seeing riders in boots and breeches walking past the wildly dinging slot machines is a bit incongruous, but it’s fun, and they love it. The show, which ended its seven-day run on Sunday, plays along with the Vegas spirit, offering special awards for bling turnout to juniors and amateurs. They showed up in everything from a red-sequined jacket to a shiny pink jumpsuit.
Vegas first became a prime destination for show jumpers in 2000, when it hosted a ground-breaking show biz version of the FEI World Cup Finals, complete with fireworks, an Elvis impersonator and an abundance of glitter. It held the finals four more times at University of Nevada at Las Vegas’ Thomas & Mack Center, with the 2020 edition cancelled due to Covid.
The World Cup Finals at Thomas & Mack put Vegas on the map for show jumping. (Photo © 2024 by Nancy Jaffer)
In the early 2000s, I attended a discussion at South Point about the possibility of having the casino hotel present one leg of the East coast National Horse Show after it left Madison Square Garden, but the idea came to nothing.
Decades later, the USHJA Championships demonstrate all that concept could have been, with classes running simultaneously in three rings and offerings ranging from jumpers over 2-foot, 3-inch fences to a $49,999 1.40 meter grand prix, national hunter derbies, leadline, all flavors of equitation and many more.
Show manager Pat Boyle remarked “The whole concept of this event with the USHJA is allowing the people who have never been to a really big horse show and finals before” to participate.
“It’s kind of a two-part horse show. You have this group that has never experienced this high level, all these affiliate kids who qualified in their hometowns locally at small shows and come to a big national championship, which is amazing.
“But it also caters to the high-end people. Everyone has an opportunity. You walk around, you feel the vibe, you feel the excitement. They come with grandmas, grandpas, aunts, uncles. To see the excitement at all different levels; it’s what makes you get up every morning.”
Families come out to support competitors at the Las Vegas National. (Photo © 2024 by Nancy Jaffer)
Yet this year’s show easily could.have been no show. The FEI component, which included a World Cup qualifier, was cancelled at nearly the last minute. But California’s Desert International Horse Park CEO, Steve Hankin, became involved to make sure the competition that is a goal for so many would go on, even without FEI classes. That was important.
“Kudos to Steve Hankin and all the partners at Desert Horse Park for jumping in when this thing maybe wasn’t going to happen at all,” said Pat.
“We said, `No, we can’t let that happen.’”
After a one-hour meeting with Steve, Bill Moroney of the U.S. Equestrian Federation and USHJA President Britt McCormick, “We pulled together and said, `We’re going to make it happen,’” Pat recalled, acknowledging organizers were conscious that exhibitors already had made their plans and reservations, while “kids have been dreaming about this for 10 months.”
Exhibitor Paige Walkenbach agreed about the youth perspective, explaining, “It’s a fun thing to look forward to at the end of the year. It’s cool being in Las Vegas for a horse show. It’s so random, but so fun.””
Paige Walkenbach and Princeton, winner of the national junior amateur hunter derby. (Photo © 2024 by Nancy Jaffer)
The Arizona rider won the junior/adult hunter derby on Princeton and also claimed the California Professional Horsesman’s Association West Coast Equestrian Junior/Amateur medal final, a jumper-style equitation class. She comes back every year for it, having finished third, second and now, finally, landed on the top tier with Bigtalu GZ, a horse she began showing only the previous weekend.
Paige was also a star on the Eastern indoor circuit this year, taking the National Horse Show’s Grand Hunter Championship in Kentucky, and many other prizes along the way.
Being a winner East and West — which is more important for the rider who is heading to Florida for the beginning of her final year as a junior?
“Coming back here is kind of like a home to me,” Paige observed while wearing the colorful WCE medal around her neck after the three-round class.
“I live on the West coast, so it’s always nice seeing familiar faces, people I’ve grown up with. East is like a whole other world, new people. It’s just so special going to both coasts.”
Kasey Ament, a California professional, was victorious in the grand prix with her long-time mount, Gaia, “the fastest, the bravest, the most game.” She follows course designer Anderson Lima when he’s on the West coast because she thinks her horses jump better after tackling the routes he sets.
“I really enjoy this show,” the winner added, saying it felt more relaxed without the FEI classes.
“I come to Las Vegas every year,” said Kasey, who has ridden in the FEI grands prix at the show previously. She was the 2004 winner of the BET/USEF Show Jumping Talent Search Finals West, as it was called at the time.
Grand Prix winner Kasey Ament and Gaia. (Photo © 2024 by Nancy Jaffer)
The success of the DIHP-produced fixture is even more impressive because organizers had a very short time to put it together without the FEI element.
“It is a very important horse show for a very important segment of customers,” said Steve Hankin.
“Even though we’ve only been at it for 60 days, we were hoping to make it special and I think the reaction has been great. There are not a lot of opportunities on the West coast to ride indoors. It’s a different horse show than it’s been. I feel really good about it.”
The big question is what will happen next year, and will there be an FEI component again? Without FEI, more riders had a chance to compete and ride in the main ring, the South Point Arena.
“I think everybody is trying to figure out a good path forward that maintains this special horse show,” Steve said.
Even leadliners, like Jamison Mahoney, have a chance to shine at the Las Vegas National. (Photo © 2024 by Nancy Jaffer)
“We’re pretty invested to continue to make it successful. It’s not, in the end, our decision,” he continued, saying that USEF and USHJA are also part of the equation, but he is “hopeful about it. We have a voice at the table.”
At a post-show meeting of the principals, he expects the conversation to answer these questions, “What did we learn and where do we go? I have more of a bias to try and figure out how to make it work than I did going into it. It’s a very important show to try to figure out and make it sustainable. We’re pretty happy with it.”
“I think there’s a lot of passion for it and a lot of desire to make it work,” he emphasized, adding that the South Point crew was “super to work with. What great partners they are. Everything we’ve needed, they’re been there for us.”
The USHJA’s Britt McCormick, making his first trip to the show, admitted, “I went into it a long-term skeptic. I’d never been, so I had nothing to base that on.”
However, he soon changed his mind.
“After being there and seeing the production Desert and Pat put on and watching the affiliate side, our side, I’m blown away by it.
“I’m a huge fan. I think it has the potential to be one of the top championships in the country. It was above and beyond anything I could have ever imagined. I see even more growth potential.”
by Nancy Jaffer | Nov 10, 2024
Not too far down the road, your dressage test likely will be judged to some extent by Artificial Intelligence (AI), as well as a human official. And you probably can expect AI to be used to a certain degree in horse inspections at competitions in the future.
That was part of the discussion during a press conference following a closed-door gathering last week in the Netherlands of the International Dressage Riders Club, the International Dressage Trainers Club and the Dressage Organizers and Officials organization.
So how should AI be used in judging dressage? The most obvious answer is for items such as keeping track of the number of lead changes, regularity of paces or how many times a horse performs a pirouette.
“There are a lot of possibilities,” said Klaus Roeser, secretary-general of the IDRC, noting riders and trainers are quite interested but the judges “are a little bit scared about it. They may think, `Maybe in five years, they don’t need us anymore.’ ”
But Klaus said, “That’s totally not the point,” explaining AI may reduce the complexity of the judging task, so the officials “can concentrate more on the quality. Because quality you can’t measure with AI.”
In the near future, the use of AI will be tested, and judges are open to the idea, according to Klaus. It was pointed out that use of AI may help spectators understand the sport better.
As dressage reacts to being under pressure after several well-publicized, high-profile horse abuse cases in the past year, more than 120 stakeholders of the sport at the meeting discussed that situation and others that can impact the future of dressage, particularly its inclusion in the Olympic and Paralympic Games.
Suggestions gleaned from the gathering on a look at the state of the sport went to Ronan Murphy, the FEI’s director of dressage, who is developing a new strategy for the discipline.
Issues center around perception, welfare, transparency and trust, items that need to be addressed in order to improve the situation, said Linda Keenan, secretary-general of the IDTC. Linda said “specific things” will be done “to gain more trust,” but until Ronan is ready to reveal them, no more can be said.
Klaus suggested that having open stable days so people can see how the horses are taken care of, could be a helpful approach, but he added, “it will never prevent if you have boys or girls doing bad things behind closed doors.”
Linda mentioned that riding that is not good enough can be conflated to become a welfare issue, when it’s simply “not fulfilling the goals to get a high score.” She also noted, “just because you’re not doing something perfectly is not the same as being abusive. We really need to do a better job of clarifying what is abuse and what isn’t abuse.”
Organizers addressed the difficulties they are having putting on CDIs and the financial pressures that exist in connection with that. At its general assembly this week, the FEI will address cutting the number of judges officiating at a World Cup Final from seven to five for cost-saving reasons.
The Dutch and Swedish federations made a proposal to allow use of a snaffle, instead of a double bridle, at Grand Prix in international competitions. It will not be voted on at this year’s general assembly, but Linda said it seems the FEI wants to encourage organizers to offer restricted classes where the snaffle is used, though such classes could not be Olympic qualifiers.
She noted the double bridle is not a welfare issue. Linda added a recent study showed there are more mouth lesions with snaffles. Riding with a double bridle is a skill; “it’s one of the ultimate skills of dressage riding. Competitors need to prove their competence at the top level in terms of using a double bridle.”
Other items discussed at the meeting included the effect that shape and fitting of the bit and bridle have on horse performance, the effect of saddle design on performance and the rider’s seat and the impending device for testing the tightness of a noseband, which is not yet available, so it’s not possible to give a recommendation on how to deal with it, Linda said.
by Nancy Jaffer | Nov 10, 2024
Three times a winner at Toronto’s Royal Agricultural Winter Fair, Alex Matz wrapped up that trifecta with his first-ever Longines FEI World Cup qualifier victory Saturday night.
Alex is the 28-year-old son of U.S. Olympian Michael Matz, who won the same class at the Royal in 1977, and Michael’s wife, DD, who also rode on teams for the country. That pedigree demonstrates how show jumping success runs in the family, as Alex achieved the only double-clear in a five-horse jump-off. The course set by Oscar Soberon, making his Royal designing debut, foiled big name after big name.
Third to go in the tiebreaker, Alex was flawless with Ikigai in 34.68 seconds. That time would be bettered, but not his record over the fences. The USA’s McLain Ward and his Olympic mount, Ilex, toppled a pole but edged Matz on the clock by 0.10 seconds. Canada’s Tiffany Foster, the favorite of the capacity crowd of 6,500, had by far the fastest clocking in 32.81 seconds with the aptly named Electrique, but a rail at the final towering vertical put her second.
Ikigai, an 11-year-old KWPN chestnut stallion by Elvis ter Putte, had been out with an injury and underwent recovery for a year.
With “so much talent, the most talent of any horse I’ve ridden,” Ikigai was worth waiting for, noted Alex, who rode on the U.S. squad last month in the Longines League of Nations Final in Barcelona.
Alex Matz and Ikigai.
“I never thought I would have had the week that I had this week, The horse tried his heart out,” said Alex, who was named the show’s leading international rider. His other victories earlier in the week came with Cashew CR.
“Even if I was second, the horse performed so well that I would have been happy.”
Explaining her strategy, Tiffany said, ““I was trying to go as fast as I could, and the only part of the jump-off I watched was Alex’s turn to the last fence. I tried to replicate it, but I didn’t do it as well.
“This is Electrique’s first FEI World Cup™ class and her first big class indoors,” Tiffany said of the mare developed by U.S. Olympic medalist Kent Farrington.
“I think the world of her. She’s a real competitor. She loves to go fast and the faster you go, the faster her brain works and the faster her legs move,” added Tiffany, who received the trophy for being the show’s leading Canadian rider.
Defending champion Daniel Bluman of Israel finished seventh with Gemma W. That was good enough for him to move into the lead in the North American League standings with 37 points. American riders are close behind; Kristen Vanderveen is second with 36 point, followed by Kent with 30 points. They’re all trying to qualify for the final in Switzerland next April.
Click here for results
by Nancy Jaffer | Nov 3, 2024
“Consistency.”
According to judge Scott Fitton, that was the key to Taylor Cawley’s hard-won victory in the ASPCA Maclay hunt seat horsemanship championship at the National Horse Show on Sunday.
“We just felt like she stayed right there the same throughout each round all day long. We were very impressed with the way she handled it,” he said.
And it was one very long day, starting at 7:15 a.m. in the Alltech Arena at the Kentucky Horse Park, and ending nearly 11 hours later with the presentation of the final ribbon.
After the first round, which had 172 starters, Taylor led on 93.5, with Adriana Forte second at 93.125. Taylor, the winner of the Platinum Performance/USEF Talent Search Finals East last month, was the runner-up to Adriana last weekend in the equitation championship at the Washington International Horse Show, where Christian Dominguez was third. Interestingly, they were all in the Maclay’s top group, with Christian reserve champ, Adriana third and last year’s Washington winner—Maddie Tosh—fourth.
But following the flat phase for the top 24, Adriana stood first, Taylor second, Maddie third and Christian fourth.The first round of jumping and the flat phase each counted 50 percent of the score before the first test, which was the second round contested by 24 competitors.
The course for the second round–notice the double, doubles; 5AB followed by 6AB.
Following the second round, in the final test for the top four, which called for a hand gallop to the first fence and a halt for four to six seconds after the last jump, Maddie was standing fourth, Christian third, Adriana second and Taylor first.
It was hard to critique those talented riders, but Christian had a very determined hand-gallop and Adriana’s round was a bit more quiet, so that may have been the difference.
Taylor Cawley and Oki D’Eclipse.
As the winners were announced, Taylor’s trainer, Stacia Madden, held her student’s hand, then gave her a hug as soon as Christian was named as the runner-up, which meant Taylor had won.
Stacia pointed out that Taylor is the only student she has taught who she met when the child was on day old. Taylor’s mother, Molly Ashe Cawley, is one of Stacia’s best friends.
“This feels so special to me,” said Taylor after her victory, citing the history of the class that began in 1933 and has been won by many riders who went on to compete in the Olympics.
Of her mount, Oki D’Eclipse, she said, “I honestly could not ask for a better partner throughout this whole finals season. He’s been amazing. He always comes out ready for the next day.I think it’s really important that you have a special bond with your horse.”
Christian Dominguez and his trainer, Jennifer Hannan; Taylor Cawley and Stacia Madden, Adriana Forte and Andre Dignelli.
Molly Cawley, a grand prix rider, and her husband, Chris, train Taylor along with Stacia and the crew from Beacon Hill. Taylor is the granddaughter of Sue Ashe, a respected judge who is an icon in the industry. Following up on a spectacular 2024 season, Taylor is hoping to go to Europe to ride jumpers next year, but also wants to continue in equitation with Stacia.
The class was judged by two panels of two judges; in addition to Scott they were Cynthia Hankins, Keri Kampsen and Lyman T. Whitehead. Cynthia said that arrangement is less tiring than just having two people judge, and it also lets judges see a rider from both sides of the arena.
“I think it’s really going in a great direction,” she remarked about that approach.
Keri said in collaborating with course designer Bobby Murphy about the layout of the fences, she told him she did not want to see too many related distances.
“I wanted to see the kids have to ride,” she noted, as opposed to just counting strides.
The fences were fantastic. You had to love the vertical flanked by towers of pastel macarons, which had a “bite” taken out of the top cookies. Other obstacles from StrideFull were used in the Paris, Tokyo and Athens Olympics, and included Greek pillars, perfume bottles and an elaborate Japanese house.
Click here for the order of finish in the Maclay
by Nancy Jaffer | Oct 30, 2024
The MARS Maryland 5-star made a big leap in quality for its third year in 2023, then burnished the details in 2024.
“Every year, we just constantly try to figure out, `How do we tweak and adjust elements?’ ” said Terry Hasseltine, executive director of the Maryland Sports Commission,
Part of the effort is to “identify what worked really, really well, and then what is maybe a sticking point so that we can address it next year.”
One issue that still requires work is increasing participation in the marquee portion of the weekend, the 5-star.
Some of the sport’s biggest names took part in the October event presented by Brown Advisory. The only downside was that the division drew just 23 starters, with a mere eight coming through from cross-country to the show jumping phase finale. The accompanying 3-star had 54 starters.
After a long season, the autumn is a difficult time for a test as stern as a 5-star to attract a large number of competitors in America. Meanwhile, though, the final 5-star of the year, France’s Pau on the weekend after Maryland, had a starting field of 71, but just three horses from the U.S. entered. The conditions of the two events drew a sharp contrast. Maryland, usually known for its good footing, had very hard ground after a record-setting drought; Pau was lashed by storms and the cross-country footing was slick muck.
MARS Maryland 5-star winner Oliver Townend with runner-up Tim Price, left, and third-place David Doel, all of whom shipped over from Britain. (Photo © 2024 by Lawrence J. Nagy)
New Zealander Tim Price, who flew over from England to finish second at Maryland with his Olympic mount, Falco, said, “We love coming over here, and we’ll do what we can to encourage more people to come here, because it’s a fantastic event, definitely one of the best events in the world and we want to pump it up. So we’ll do what we can.”
Oliver Townend, the winner with Ballaghmor Class, is another who traveled from Britain to compete. He has been to each Maryland renewal and never ceases to praise it effusively.
About the entry situation he said, “It’s a percentage game at the minute, trying to fill this event up.”
Oliver Townend and Ballaghmor Class. (Photo © 2024 by Nancy Jaffer)
He emphasized that Maryland, “really give the feeling of an exceptional event, and an event that’s going to be right up there with the very best in the world.”
Terry reported that organizers are “having good conversations” with the U.S. Equestrian Federation and the FEI (the international equestrian federation) “about what are some of the strategies we can implement together to insure the 5-stars — not just us, but (also) the others — are positioned on the calendar the right way, so there’s not conflict and challenges for some of the premier riders to have to make really tough decisions.”
The bottom line?
“To insure the vitality of this event can continue to move in the right direction. In the U.S. in the fall, it’s always going to be a unique challenge, no matter who hosted it. Multiple pro sports all kicking in; the change of seasons is coming along, you’re dealing with variations of weather systems. We’ve just got to keep making our product a bucket-list product people want to come out and see. not just in the equestrian space but in the general population.”
This was the first year that betting was allowed for the 3- and 5-star events via a partnership with Crab Sports, a startup sportsbook tailored for the Maryland market.
Maryland CEO Jeff Newman had said the idea was to create more off-competition amenities that would appeal to non-equestrians. He characterized its debut as sort of a beta test.
Terry Hasseltine and Jeff Newman. (Photo © 2024 by Nancy Jaffer)
In regard to the cross-country footing, Terry said nearly 250,000 gallons of water were dumped on the course, “but it all got absorbed into the lower basin. Sometimes it hardens the ground more than softens it.”
The team is working on doing things before cross-country, such as dumping sand on the course “so it holds a little bit more water. There are turf recommendations being looked at so we can soften some areas when we do not have mother nature’s support.”
This year’s edition was supposed to be the last hurrah for Ian Stark, who has designed the cross-country course since the event began. But word of his retirement has been exaggerated, it seems. Paris Olympics course designer Pierre Le Goupil, who was named to replace Ian, has decided he doesn’t want to start out alone on that project. So Ian will be mentoring him at Maryland in 2025.
Pierre asked for Ian’s help, telling me he has never designed a 5-star; the Olympic cross-country is at 4-star Long level. On his first visit to the event, he found everyone “wonderful and welcoming.”
The Frenchman and Ian spent time together on the course, “sharing ideas and impressions. He noted, “it’s been an interesting and learning week for me.”
Pierre explained this month was a little bit early for him to make a plan for 2025. He took advantage of “more time for me to discover and know the people and how it works, the fantastic building team behind Tyson (Rementer, head of the course building effort.).
“It’s so important to feel the atmosphere of a venue before you even start to work on it. I’ve been taking a lot of information and need to digest a little bit,” he commented.
New Maryland cross-country course designer Pierre Le Goupil. (Photo © 2024 by Nancy Jaffer)
“It is not an easy venue, that is crystal clear, because of the hills and the extensive organization of the three different areas, with the racing field, including the main arena; the area by the crab water jump and that quite long and hilly pathway in between with ups and downs that you can’t avoid. It’s a challenge how to make it different every year without creating a revolution, without losing the benefit of the previous experience for everybody, the organization and also the riders. There’s a lot to learn and I’m very excited. I have fresh eyes, I have ideas and I need to put everything in order.”
Although the event is near the site of the Fair Hill International event that began in 1989, the 5-star venue is quite different. The arenas rather unusually are set in the middle of a turf racetrack, where thoroughbreds finally will run, beginning on Memorial Day weekend next year.
“It’s an awesome venue, but it’s pretty unique. There are things about it that are really tricky operationally,” said Competition Director Joanie Morris.
She noted the event was put together with, “a lot of new ideas and ingenuity. It takes a long time to develop and establish it. The first couple of years, it was just trying to sort that out.”
But by Year Four, “It feels very real now. It feels really established. A lot of people who I have a lot of respect for, who have been to a lot of events for a lot of years around the world, have said how good it is.
“Now we’re at the point where, what can we continue to do, what can we do better? And we’re looking forward to next year.”
She added with a grateful smile, “That’s not always the way you feel when you finish an event.”
by Nancy Jaffer | Oct 27, 2024
The Eastern States Dressage and Combined Training Association Championships and Open Schooling Show is a long way from the high-end competitions that dominate the calendar these days. It’s laid back, relaxed and friendly, a delightful unrecognized fixture that’s just plain fun and a high point of the season.
It may not be glitzy, but as Flemington, N.J., trainer Wendy Garfinkel said, “Don’t bash this: it’s someone’s Olympics.”
Former ESDCTA President Lisa Toaldo, who managed the show on the weekend, elaborated on what it means to the participants: “Most of the riders in the show won’t be going to Regionals and Nationals, that’s why it’s so exciting for them. This is their championship.”
Show manager Lisa Toaldo and Ann Dandurand with her champoinship ribbon. (Photo © 2024 by Nancy Jaffer)
What adds to its appeal is location, location, location – the U.S. Equestrian Team Foundation headquarters, steeped in history. The Gladstone, N.J., facility carries extra meaning as a venue for those privileged to ride there, whether they’re at training level or FEI.
When else, Wendy asked, do you get to ride at the USET?
“It’s affordable. We stable here too. You get to stay in Brentina’s stall. We work really hard to get here. They do a great job everyone is nice to you. If you fill out your entries incorrectly, they don’t yell at you.”
Something else which appeals to her is the fact that, “You see every type of horse. You don’t just see warmbloods; the odd breeds can do it too, I always promote that.”
A case in point is the Irish/Welsh cross ridden by her student, Lori Fortunato. Challenger’s Fourth Angel is a 14-hand pony that Lori adores.
Trainer Wendy Garfinkel and her student, Lori Fortunato, with Challenger’s Fourth Angel. (Photo © 2024 by Nancy Jaffer)
“She’s like a puppy,” declared Lori, who used to do hunters and eventing. But now, she says,, “I love dressage, the connection, the partnership that I feel.” She is a psychotherapist, so she knows about connections. The Watchung, N.J., resident remembers what the USET meant to her as a kid, citing the famous people like Frank Chapot who trained there.
Another different breed from Wendy’s Poniez on the Rockz is an ex-thoroughbred racehorse owned by her right-hand worker, Shelby Dunlap.
“When she’s away, I’m in charge,” said Shelby, discussing her job description.
A former groom at the racetrack, she fell in love with Riopelle, who won $100,000 racing at Penn National, Woodbine in Canada and elsewhere.
“I thought he was adorable,” she recalled.
Shelby Dunlap and Riopelle. (Photo © 2024 by Nancy Jaffer)
Shelby got to pony him onto the track the day he won a race, only to learn he was claimed for $7,500.
“I cried all the way home,” she said.
Rio, by Grade I Super Derby winner Arch out of Constant Touch (Belong to Me) raced some more, but then a trainer friend of Shelby’s was able to claim him for her. She jumped him a little before switching to dressage. He can be quirky, but he also knows when to behave. Her best score at the show was an impressive 68.8 percent in Training Level 3.
She’s having fun with the 16-year-old gelding but promised, “a couple more years and he can retire.”
Another different breed at the show was Luchadora ESF, an Andalusian who won the FEI championship with a total of 65.647 percent for Ann Dandurand.
She made a mistake in her Intermediate I test, doing the pirouette too early.
“I don’t own the I-1 test yet. She’s Grand Prix; I’m not,” said Ann, explaining her mare knew the early pirouette was the wrong move.
“I am so fortunate to have this horse.”
Ann Dandurand and Luchadora ESF. (Photo © 2024 by Nancy Jaffer)
When Ann asked for the pirouette in the wrong place, “She was like, `No mom.’ She didn’t want to do it.” And Ann knew there was a problem because, “She never says no. She’s amazing, a saint.”
Ann, who works as a physician, is based in Cranbury, N.J., and trains with Nikki Serge in Stockton as well as Andrea Velas in Pennsylvania. She joined ESDCTA 40 years ago. Her memory of the USET dates back to the mid-1980s, when she rode in an Arabian festival there and stayed in the groom’s quarters.
More on breed diversity: Lauren Anderson rode a catchy-looking pinto named Lakota Moon at Training Level. The 17-year-old, who trains with Jill Kuc at Hidden Creek in Pennsylvania, said no one is sure about her horse’s breeding.
It was fun for her mother, Colette Anderson, to come to the show, because she grew up in Bedminster, N.J., and her husband is from neighboring Gladstone. Colette was well aware of the USET when she lived in the area, but she didn’t ride.
Lauren Anderson and Lakota Moon. (Photo © 2024 by Nancy Jaffer)
So now, “My daughter is living my dream,” she said. Riding at the USET has a bit of an intimidation factor, but more important, it’s “a big deal.”
Another unusual combo was embodied in Linda Butz’ Dannys Secret, a Friesian/Arab cross, who competed at Grand Prix. Linda, a Pennsylvanian who trains with Sarah Schmitt in Annandale, N.J., is hoping that next year she can do her Century Ride at the USET. For that U.S. Dressage Federation opportunity, the combined age of horse and rider must be 100.
Linda has had her 22-year-old horse for 17 years.
Linda Butz and Dannys Secret. (Photo © 2024 by Nancy Jaffer)
“I bought her to trail ride and pop over some little jumps. She told us very quickly that wasn’t for her. She ended up with a dressage trainer. I’m really fortunate that I have this horse. I learn something every time.”
Linda has her USDF bronze and silver medals, and is working towards her gold. She rode at the USET once in before in the Summer Days show, and was happy to be back.
“This beautiful, iconic facility is a big draw,” said Holly Cornell, who has been ESDCTA’s president for six years.
ESDCTA President Holly Cornell. (Photo © 2024 by Nancy Jaffer)
The organization “helps foster a lot of young riders coming up, encourages them to get involved in dressage and eventing, though most of the eventers go to recognized shows and don’t participate in the schooling combined test as much,” said Holly.
“It’s really great to see a lot of people coming up from the lower levels and getting better horses and improving.”
And as far as the Championship show goes, she pointed out, it’s obvious that “this beautiful, iconic facility is a big draw.”
Click here for results of the show
