by Nancy Jaffer | Mar 30, 2024
Brett Parbery, once one of Australia’s top 20 bronc riders, will present Dressage at Devon’s popular Masterclass Sept. 26. But don’t worry, he isn’t going to be offering rodeo tips.
His expertise in dressage was demonstrated impressively when guiding Australia’s eventing team to lead the dressage phase at the 2012 London Olympics. He has also competed successfully, finishing tenth in dressage at the 2010 FEI World Equestrian Games.

Bret Parbery (James Abernethy Photography)
His father broke and trained mounts for cattle horse sports. Brett did everything from Pony Club to Polocrosse before focusing on dressage. His eclectic background will enable him to offer pointers to a diverse group of demo riders at Devon, with practitioners of western dressage able to participate along those who ride in the more traditional English competitions.
Brett’s Performance Riders program has an online platform in which horse welfare is the top priority, with horse and rider development as his daily motivation. His training style could be called “Modern Australian,” combining “classical principles with a high-performance sports focus.”
This is the third year of Devon’s Masterclass. Previous instructors were Olympic medalists Sabine Schut-Kery and Cathrine Laudrup-Dufour.
Want to buy tickets? Here’s the link.
by Nancy Jaffer | Mar 30, 2024
In only her second international competition with Lars van de Hoenderheide, Olympic veteran Adrienne Lyle won the 3-star Grand Prix Special at the Adequan Global Dressage Festival with a mark of 73.192 percent on Saturday.
She bested the winner of Thursday’s Grand Prix, Endel Ots, who was second on Zen Elite’s Bohemian with 72.490 percent. Both horses are owned by Zen Elite’s Heidi Humphries.

Adrienne and Lars. (Photo © SusanJStickle.com)
Third went to Adrienne’s longtime teammate, Kasey Perry-Glass, back in action after a long absence from the international level with a 71.383 percent on Heartbeat W.P.
Marcus Orlob of Annandale, N.J., finished fourth on Jane, previously shown by her owner, Alice Tarjan. Their score was 70.830 percent.
Adrienne said, “I think it’s 10 weeks now that we’ve had Lars and this is the first full Special I’ve ridden through on him. I’m so incredibly happy at his energy and his honesty and his willingness. It seems like he’s starting to understand what I want and fight for me in there, which is really special in such a new relationship.”
Saying, “I was really happy with his piaffe/passage tour,” Adrienne added, “I got a bit braver to make the piaffe stay on the spot more and feel like I could trust that more. His canter tour is always super; he’s got super power and the changes are just a treat to ride.”
Adrienne observed, however, “just because we have a timeline” as she looks toward Paris, she is not planning to increase her horses’ work more than the usual four days a week maximum. She also rides Helix, second in the qualifier, for Elite Equestrian.
Heidi Humphries, the owner of Elite Equestrian “has such an amazing vision,” Adrienne noted.
Bohemian was ridden to fourth place in the Tokyo Olympics by Denmark’s Cathrine Laudrup- Dufour. He subsequently had a Korean rider and then Endel took over late last year.

Endel Otts and Bohemian. (Photo © SusanJStickle.com)
Endel, who had not ridden in an international Grand Prix before Thursday, was marked at 72.761 percent in the Grand Prix qualifier, ahead of Helix (71.065). Adrienne was placed first by one judge in that class.
Adrienne, who is coached by her mentor, Debbie McDonald, also was third with Lars (70.652) in the qualifier.
In the Grand Prix, Bohemian had a problem in the two-tempis, with one judge giving him a mark of 2 and the other four judges marking him at 3, which brought his score way down. That was balanced by the fact that he had mostly 8’s in piaffe and passage. In the Special, his problems cropped up in the one-tempis, with marks between 4 and 6 from the five judges. The piaffe and passage continued to be his strong points.
“It’s all very surreal,” Endel said after his ride in the Grand Prix.
“You always see all the famous people like Adrienne Lyle and Kasey Perry and I am just thankful and happy to be in there with them and part of the group.”
He called Bohemian “a crazy cool horse.”
These horses will have to qualify if they are to be considered for a U.S. European tour, which is the precursor for Olympic selection. Although the Global festival ends this weekend, shows at TerraNova in Myakka City and the World Equestrian Center in Ocala are offering qualifiers next month.
In Saturday’s 4-star Special, Katherine Bateson-Chandler won with Haute Couture on 71.872 percent. Her coach, British star Carl Hester, came to the U.S. to train her for this show.
“We’ve had our stumbling blocks that were really mentally tough for both of us, so it took a lot of regrouping,” said Katherine, citing “a big mountain to climb.” She is hoping to be invited compete with the U.S. contingent in Europe later this spring.
The mare was ridden in the Tokyo Olympics by the Netherlands’ Dinja van Liere. Haute Couture was purchased for Katherine by her friend, Jennifer Huber.
Click here for 3-star Special results.
Click here for 4-star Special results.
by Nancy Jaffer | Mar 28, 2024
They call it “the best weekend all year,” and one of the things that makes the Defender Kentucky
Three-Day Event live up to that title is, of course, the horses and riders that will be competing in Lexington next month.
Plenty of big names are signed up for the 5-star, including world champion Yasmin Ingham of Great Britain with Banzai du Loir and world number one Oliver Townend, another Brit, with his newest star Cooley Rosalent.

Oliver Townend and Cooley Rosalent. (Photo © 2023 by Lawrence J. Nagy)
But that mare is also cross-entered at Britain’s 5-star, the MARS Badminton Horse Trials competition, to be held in May, a week later than Kentucky. That’s the same tactic that is being used by, among others, the USA’s Boyd Martin, the world number three who has Tsetserleg and On Cue slated for both. (Obviously these double-entered folks have to make a choice of one event or the other.)
One you’ll want to watch in the 5-star is David O’Connor’s Phelps, an off-the-track thoroughbred (remember when they dominated eventing?) who was a sensation last year at the MARS Maryland 5-star. He will be ridden by Mia Farley.
A number of U.S. riders are playing it cool, opting for the 4-star that runs with the 5-star. They include last year’s Kentucky 5-star winner, Tamie Smith with Mai Baum, and Will Coleman, who has Off the Record and Chin Tonic going.
With the Paris Olympics coming up just three months after Kentucky, it’s important to know that cross-country there will be at the 4-star level. That means some riders don’t feel the need to test their horses in a 5-star before such an important competition.
Click here to see Badminton entries, and here to see who’s lined up for the Kentucky 5-star. To find out about Kentucky 4-star entries, click on this link.
by Nancy Jaffer | Mar 28, 2024
The U.S. list of show jumpers for next month’s FEI World Cup Final in Saudi Arabia is set, with Devin Ryan of Long Valley, N.J., in the group of five on Eddie Blue. The two were a sensation at the 2018 finals as virtual international unknowns who finished second. They went on to be part of the U.S. gold medal team at the FEI World Equestrian Games that year.

Devin Ryan and Eddie Blue jumping at WEC Ocala last week. (Photo © 2024 by Nancy Jaffer)
Kent Farrington, a double medalist at the Pan American Games last fall is also making the trip to Riyadh. The Floridian is bringing two mares, Greya and Toulayna.
Others who qualified are from California. They are Skyler Wireman (Tornado), Jill Humphrey (Chromatic BF) and Sophia Siegel (A-Girl).
The dressage World Cup qualifiers have been known for several weeks. They are Ben Ebeling (Indeed), Kevin Kohmann (Duenensee), and Anna Marek (Fayvel), Ebeling is a native of California, but all three are based in Florida
by Nancy Jaffer | Mar 26, 2024
The loss of boutique shows, the “crazy expensive” cost of showing, reporting horse abuse, and of course, social license to operate were among the topics at the most recent Town Hall in a series offered by the U.S. Hunter Jumper Association. The Zoom format enables members to air their concerns—and in some cases, suggest possible solutions.
Held monthly, the Town Halls don’t necessarily generate answers, but they can be a first step toward getting them.
Audrey Petschek, a realtor who lives in New England, stated during the Monday forum that the big box shows have bought out many dates. The one- and two-week shows that remain in her area “are really suffering,” she contended.
“People set up shop at HITS (Saugerties, N.Y.), for example, and just stay.”

HITS in Saugerties, N.Y., has undergone massive renovations that make it even more of a destination for competitors. (Photo © 2023 by Nancy Jaffer)
On the other hand, moving from show to show is expensive, she pointed out, noting “even setting up a tack room display takes time and money. It all adds up fast and trainers are looking for the easiest way and the most cost-efficient way to show and do business.”
Creative thinking can help devise solutions to issues like these and other perennial problems.
In an interview on Tuesday about the Town Halls and their mission, USHJA President Mary Knowlton noted, “From USHJA’s perspective, we are always trying to foster interest in and breathe some life into some of these smaller shows.”
An example she gave involved the North Carolina Hunter Jumper Association, which runs one show a year and found itself facing two U.S. Equestrian Federation mileage exemptions that enabled shows to run against NCHJA in 2023.
“They were terrified because this is their one show. They use it to fund their scholarship program for their riders and their big banquet. Some of the bigger shows sort of horned in.”
Mary got a panic call from NCHJA, asking “What do we do?”
She replied, “You get really busy talking to your people who have shown with you for years and make it really clear to them that supporting you is necessary if they want to see you continue.”
It worked.
“They did that and actually had a good, strong year,” she reported.
The rise of the fancier shows tends to leave people with high – if unrealistic—expectations for their own competition experiences.
As Mary noted, “People have to be willing to have a more generous standard toward these one-time shows.”
The World Equestrian Center in Ocala, which hosted the FEI Longines League of Champions last weekend, brought in riders from Europe and South America for a stellar competition with a 5-star hotel as a backdrop. The venue has set a remarkable standard, and the question is, how do other shows keep up with something on the order of a WEC?
“The answer is, they can’t, really,” said Mary.

The atmosphere of the World Equestrian Center Ocala isn’t replicated elsewhere. (Photo © 2024 by Nancy Jaffer)
(Riders at the elite Winter Equestrian Festival have even complained about conditions at Wellington International three hours south of Ocala, as they compared the facility where they are riding with WEC.)
Mary acknowledged that while rising costs are an industry-wide concern, questions about such matters are the province of management rather than USHJA itself. But she advised that Glenn Petty, who heads USHJA’s Competition Management Committee, could handle queries about management practices. He can be reached at glenn@trianglefarms.com.
The Town Hall format allows people to get their voices and issues heard.
“Most people feel unheard,” said Mary. She permits participants to write in questions during the Town Hall as “anonymous attendee,” which enables “real feedback” from those who are hesitant to put themselves out there by name.
“We get a chance to hear a lot of ideas and then test those ideas a little bit and then come back and refine them through that lens, which is super helpful.”
At the same time, she mentioned, “It’s a way for us to disseminate information. One of the comments that comes back is, `I feel better-educated after being on the Town Hall.’ That’s huge.”
She added, “I very much appreciate hearing people’s point of view.”

USHJA President Mary Knowlton
This month’s Town Hall had 124 participants at one point.
“So many people’s opinions are pouring into this hopper. People like DiAnn Langer, who heads the Commission on Equine Welfare, are listening. (The commission will make a report to the USHJA board in May.)
“They’re getting to understand how people think, and how could we mold a solution?”
On the subject of horse abuse, amateur rider Tamara Doloff of Maryland, who has experience as a horse show mother, expressed concern about a proposed U.S. Equestrian Federation horse welfare rule, “brought on by the social license to operate issue.”
The rule would enable the organization to discipline those involved in horse abuse incidents, even if they happened elsewhere than at a sanctioned show. The USEF board will vote on the rule in June.
“I’m concerned about USEF’s ability to take action against someone outside their purview,” she said. Issues Tamara mentioned are how to define abuse, if parents or trainers could be held liable for actions of their children and whether an animal rights organization could overwhelm USEF with complaints.
She also asked, “If someone is caught on camera in the presence of another person abusing a horse and they don’t report it, is the observer now subject to sanctioning?”
Steward Cricket Stone noted there are many things going on at shows that are “not doing the sport any good.” They include the presence of boxes for sharps that are overflowing with needles by the end of the week, longeing done so improperly that horses are injured and cantering horses in the warm-up rings until they are huffing and puffing.
Debbie Bass, a member of the USEF hearing committee, said she thinks expanding the jurisdiction of USEF involving horse abuse is “the most empowering rule change” for owners and riders, enabling them “to have a further say about what they see in the care of their horses.”
She added, “It not only empowers, but also obligates them to speak up if they see horse abuse.”
Being obliged to report takes the onus off an owner who sees something that’s unusual or abusive and maybe historically they would not have responded because “it’s just too hard’ and “it’s my trainer.
“But if you’re in fact obligated to report…it puts it in a whole other power dynamic. It gives cover to the witness of `an injustice to the horse,’ ” Debbie mentioned.
“It gives them more eyes on the problem, it gives them more advocates. It does include things like over-showing a horse, which we’ve all witnessed. With this rule change. I would be empowered to say something because, oh my gosh, I have to say something. It is cover to come out from behind the curtain and adjust the power struggle in favor of the horse.”
She noted that USEF does due diligence and “the hearing committee doesn’t see anything unless it’s been pre-vetted.”
As well as dealing with big-picture items, people have a chance to bring localized concerns to the Town Hall. That’s what Betsy Checchia from Zone 8 did, with an issue about the contiguous zone rule enabling riders to show outside their home zone to accumulate points for a zone award. She noted that in her zone of Utah, New Mexico, Colorado and Arizona, the first two states no longer have rated shows, and attendance at shows elsewhere in the zone is dwindling, as people show in the contiguous zone states of California and Texas. She mentioned as a possible solution the idea of only counting points earned at shows in a zone, as opposed to those awarded in contiguous states.
What side of the issue people are on, however, depends on where in the country they’re located. For instance, Allison Fisher of Maryland in Zone 3 likes showing in Pennsylvania, which is Zone 2, because it is closer to her home than some other locations in her zone.
Zone 6 also has a wrinkle because Wisconsin does not have rated shows, so people go to Illinois in Zone 5 to compete.
In 2025, USHJA will be responsible for handling zone points, and one suggestion was to award double points for ribbons earned in a rider’s home zone to encourage showing there, rather than in a contiguous state. Zones can come up with their own criteria for how points will work.