by Nancy Jaffer | Mar 8, 2026
Catherine Laudrup-Dufour and Isabell Werth were neck and neck in the 5-star Freestyle at the Herning, Denmark, show this weekend, in a battle of mares, with both scoring over 90 percent.
Cathrine had the edge on Mount St. John Freestyle, the 17-year old Fidermark daughter, earning an astronomical 90.465 percent, with marks of 10 across the board for music and interpretation of music — which included “My Heart Will Go on” from the movie “Titanic.” Three of the five judges gave the Dane and her Hanoverian 10s for degree of difficulty, with the dissenters offering a mere 9.9 and 9.8.
Cathrine Laudrup-Dufour and Mount St. John Freestyle.
Germany’s Isabell Werth was the only other competitor to break 90, earning 90.080 with Wendy de Fontaine, a Danish warmblood by Sezuan 2. Her across-the-board 10s came not only in the music category, but also for choreography. Her lowest marks were for collected walk, where she had two 6s and two 6.5s, in addition to a 7.
After the best Grand Prix of her life last week, Cathrine said that on Saturday, “I slowed down a bit…and it’s so rare to reach 90 percent. The win in itself means nothing, but to see such top-class sport in Denmark is absolutely fantastic.”
The third- and fourth-placed contenders scored above 80 percent, with Norway’s Isabelle Freese on Total Hope Old finishing on 81.885 and Daniel Bachmann Andersen of Denmark marked at 80.370 aboard Flash Gordon 37.
Click here for results
by Nancy Jaffer | Mar 1, 2026
As is so often the case, team anchor McLain Ward produced a must-do clean round to clinch victory for the USA in the $150,000 FEI Nations Cup Wellington Saturday night.
USA center stage on the podium with second-place Ireland (left) and third-place Canada
This time, however, the stress was on from several directions. But if anyone has mileage sufficient to handle such challenges, it’s McLain. Even so, several factors made the situation more intense than usual.
The U.S. had won the country’s only Nations Cup 10 times previously, which meant history exerted expectations for the eight-team match.
As Coach Robert Ridland put it, “This is always an interesting Nations Cup because the pressure is on us to win. It’s a home Nations Cup; it’s a really big deal.”
And McLain’s mount, Jordan Molga M, is relatively new to him. How would he react to the electricity of an arena surrounded by a capacity crowd that cheered loudest for the Americans?
In the first round, McLain had a decision to make after his teammates produced three clears over the Steve Stephens team-designed 4-star course. His initial effort wasn’t needed, since only three scores count in each round.
He considered going in the first round and just jumping the first line of fences to give the horse a look-see, which could have worked, since that round wouldn’t affect the score.
McLain’s student, Stella Wasserman, began riding Jordan, a 12-year-old Dutchbred, last September, taking over from Nicolas Delmotte of France.
But it wasn’t the perfect match, so McLain traded one of his horses with Stella, picked up Jordan and started showing the horse in December.
McLain Ward and Jordan Molga M
He had yet to log a victory with Jordan. And the gelding had never shown under the lights at Wellington International.
“He’s a very, very sharp horse,” said, noting he was gelded late and “has a little bit of almost stallion energy.
“With a new horse that’s sharp like that, you always want to monitor and make sure you make safe choices. That’s why I was flirting back and forth whether I should jump the first round or part of it.”
In making his decision to skip the opening round, McLain noted that while Jordan is green, he’s “answering every question I asked well.”
So he took a risk and passed on the first round, introducing the horse to the buzzy scene when it really counted in the second round of the class presented by Florida Coast Equipment.
Although teammates Marilyn Little (La Contessa) and Callie Schott (Garant) had turned in clear trips in both rounds, on his second appearance, Karl Cook and Caracole de la Roque uncharacteristically tumbled a rail at the A element of the triple combination, which meant the outcome was all up to McLain.
Before he entered the arena, the U.S. was looking at the prospect of a 4-fault tie with Ireland after that country’s Shane Sweetnam dropped a rail at the last fence. Coach Ridland planned ahead for a worst-case scenario if McLain had a knockdown, and already had decided to send in Karl as the designated rider on his speedy mount if a jump-off to break a 4-fault tie was needed.
But McLain came through in classic style to secure the win. Ireland settled for silver with four faults in the eight-team competition, while Canada collected the bronze on eight.
Although he is comfortable as the anchor when that role really counts, McLain conceded that this time, “I think I felt more pressure because it’s a new relationship with this horse,” he commented noting Jordan, owned by Michael Smith, has championship potential.
The winning U.S. team: McLain Ward, Callie Schott, Marilyn Little, Karl Cook and Coach Robert Ridland.
McLain is always quick to give credit to others, which demonstrates how he works well with them.
“I’m very lucky to have such a strong team—they put me in a pretty nice position,” he said.
McLain’s daughters, Lilly and Madison, showed up to support him at the post-competition press conference.
As the coach noted, “Our two double clears, just phenomenal. That’s the way you win Nations Cups, with double-clears.”
Callie Schott was double-clear on Garant in her first Nations Cup appearance at home.
While he discussed strategy, Robert noted it’s still quite early in the season which includes, importantly, a world championships.
“We’re trying to put the pieces together for the long haul, and it worked,” he pointed out with a smile.
Marilyn Little and Contessa were double clear.
“To a degree, this is the beginning of the year, so things start ramping up. You can’t do everything at the end,”
Of the Wellington effort, he said, “This will have played a role for sure,” then added, “More important is what a great event this is. It’s great for the public.”
Click here for results
by Nancy Jaffer | Feb 28, 2026
New Jersey trainer Nicole Delgiorno has taken over as president of Dressage at Devon, the special autumn show that offers educational opportunities — such as a popular master class — as well as a variety of competition and lots of shopping..
She succeeds Anne Moss, who presided over the show’s fiftieth anniversary last year. Nicole, who has showed at the Pennsylvania fixture since she was a junior, is 34 years old, representing another generation that will guide the iconic institution on Philadelphia’s Main Line into new opportunities.
While a priority naturally involves appealing to an equestrian audience, one of Nicole’s goals as she stated during an interview is that “we start to bring in more of a non-equestrian audience.”
She pointed out, “It’s the only place where a kid who had never touched a horse before can sit five feet away from a horse that is piaffing and have that moment of `Oh my gosh, that is what i want to do.’
“There aren’t many (dressage) spectator experiences on the East Coast outside of going to Florida, especially in our area, that are so welcoming to a non-equestrian audience,” Nicole said.
As she pointed out, Devon is “very accessible from Philadelphia, a very highly populated area.”
With “Lots of young families looking for ways to get their kids out and about, It would do our sport, especially locally, such a good service to be able to lean into those audiences and try to get them more involved and feel like they also belong at Dressage at Devon.”
In honor of the show’s half-century anniversary, $160,000 was donated, money that will go toward its long-term sustainablity.
A Grand Prix rider who is a U.S. Dressage Federation gold medalist, Nicole runs The Dressage Academy in Cream Ridge, N.J. She has been on the Devon board for three years, and a new group has been recruited for that panel to offer a forward-looking perspective and raise funds. Nicole also has experience in the fields of fundraising, strategy and technology.
by Nancy Jaffer | Feb 28, 2026
As she came to a halt at the end of her 4-star Grand Prix Freestyle performance on Hyatt, after a dramatic one-handed passage down centerline, Sweden’s Tinne Vilhelmson Silfvén broke into an enormous smile.
A bright chestnut daughter of Apache, Hyatt seemed to share her rider’s joy in the moment, which resulted in a 78 percent tally from the judges and a victory in the Donato Farms class at the Adequan Global Dressage Festival on Friday evening. It was a fitting conclusion to a fun and energetic performance featuring ’60s Beach Boys tunes such as “God Only Know” and “Good Vibrations.”
The soundtrack had sentimental connections, because it was from a freestyle designed by the late Cees Sling for Tinne’s special mount Don Auriello, who partnered with her in the 2012 and 2016 Olympics.
Tinne, a regular visitor to the Wellington, Fla., facility, rightfully considers the Friday Night Lights feature a goal whenever possible. But with Hyatt, second in Thursday’s Grand Prix, that wasn’t always the case.
“Last year, I didn’t dare to compete Hyatt in the Friday night class because she is really motivated and very awake,” the seven-time Olympian explained.
“Over the past year, I started to think it could work. I took her in the 5-Star and she got really excited, but today she was super.”
With the sensitive mare, she noted, “I’m always searching for the balance between power and relaxation, and I don’t always succeed. What horses need is to have trust in you and to like their work. You need a smart set-up for every horse, which is different for every animal, so you figure out what’s good for them. For sure, the chance to ride here in the winter, at this show with perfect atmosphere, is a super opportunity to teach the horses how to go.”
When Tinne returns to Europe after the Florida circuit, she will be working toward an opportunity to represent her country in this summer’s world championships in Aachen, Germany.
Tinne Vilhelmson Silfvén and Hyatt had the winning freestyle.
Although only three horses competed in the Freestyle before an enthusiastic packed house, the efforts made by the entries were worthy of the crowd’s appreciation as the conclusion to a day packed with interesting competition.
The youngest horse in the freestyle, the 12-year-old Harmony’s Fado, scored a personal best of 74.77 percent under Michael Klimke of Germany to finish an honorable second. Michael is the son of Reiner Klimke, a legendary figure in global dressage. Third place went to Susie Dutta on Don Design DC with 72.895 percent.
Earlier in the evening, U.S. rider Jennifer Williams topped a nine-horse field for the 4-Star Grand Prix Special with a 70.128 percent on Joppe K that was her initial victory at that level.
Jennifer Williams and Joppe K taking the Special.
The rider, who owns Joppe with Lisa Nordling, said the 11-year-old Dutchbred by Harmony’s Rousseau was purchased six years ago.
“Quickly, I fell in love,” Jennifer said of the horse, who has been doing Grand Prix for four seasons after she brought him up through the ranks.
“This is my first-ever win at Friday Night Lights, so it’s really special. I’m living my dream and I’m really grateful. He loves his job, he’s super motivated he’s the sweetest, kindest horse.”
Megan Davis, who scored a personal best Thursday to win the Grand Prix with Toronto Lightfoot, wasn’t able to meet that standard and crack 70 percent again. She wound up on 69.192 percent. So did Ashley Holzer with Hawtins San Floriana, but Ashley got the nod for the runner-up spot based on a higher average of the harmony marks.
German judge Katrina Wüst, a vocal advocate for horse welfare, remarked that judging has changed and is less tolerant, for instance, of tail swishing that indicates equine discomfort.
“We are harder on this and this definitely has also changed the riders’ way of presenting them.”
Suppleness, she said, can compensate in the marks for horses without “the top, top, top gaits” because it is preferred to “horses with bigger gaits and stiffness. You see better contact, the mouth is more closed. I think the sport is moving forward.”
The judge was impressed during the daytime competition by Adrienne Lyle’s mount, My Vitality, in the Lovsta Future Challenge. The promising talent is a brother of the well-known stallion Vitalis.
My Vitality and Adrienne Lyle
The 9-year-old Dutchbred stallion by Vivaldi won with a total of 71.265 percent, despite what the rider called “big mistakes in there in the pirouettes, which has not been normally an issue with him. I think he just got a little bit impressed at the stadium and a little tight in his back. It’s all still very green with him so now we know our homework to go home and work on.
“He’s still a very new ride for me. I still feel we are getting to know each other. I think he’s such a quality horse. I’m so excited about his future.”
Judge Katrina shares that enthusiasm.
She believes My Vitality’s potential is such that he has the ability to be the top U.S. grand prix horse ever, even citing such stars as Laura Graves’ Verdades, whose rider became the only U.S. competitor to be number one in the world.
The daytime drama was dominated by Adrienne, who also won the 1-Star Intermediate I, topping a field of 10 with Hussmans Topgun on 72.06 percent. She also won her Thursday class with the horse, who showed a little more power in the trot on Friday, along with pirouettes that were “quite good.”
Hussmans Topgun and Adrienne Lyle
The rider noted “I’m feeling a little under the weather, so he took good care of me.”
The show was presented in memory of Mary Anne McPhail, who with her husband, Walter, established a fund to provide support for the U.S. Dressage Federation’s judge education initiative.
Mary Anne was instrumental in making Wellington a center for dressage and was the guiding force of the Palm Beach Dressage Derby, which has a unique format.
Riders perform the Prix St. Georges test on an unfamiliar horse with only a five-minute warm-up for them to familiarize themselves with the animal.
On Friday evening, it was won for the second time by Chris von Martels of Canada. Jennifer Williams, who had a busy evening, was runner-up in the final ride-off.
In Saturday’s 3-Star Special, the order of the top two from Thursday’s Grand Prix was reversed, with Christian Simonson taking the honors on Fleau de Baian (71.255 percent.) That entry was the only one to be marked over 70 percent, and it was a personal best.
The winner from the Grand Prix, Endel Ots and Zen Elite’s Bohemian, was second with 69.981 percent, just ahead of Michael Klimke and Harmony’s Dante’s Peak (68.915 percent).
“Today ‘Felix’ let me ride him, gave me his back, and tried really hard,” said Christian, 23, who only rode his first senior international big tour test in May of 2023.
“He let me keep asking for more and more.”
After a mistake in the one-time changes on the diagonal, Christian refocused Felix to ensure the pirouette-changes/pirouette sequence on the center line remained fault-free and powerful.
“I knew because of the mistake that I had to make up a lot of points there, so I thought, ‘Okay, let’s try to get eights on everything here for the double coefficient,’” said Christian, who first stepped into the CDI ring with Fleau De Baian nine months ago.
“I’ve learned a lot from this horse, and he’s taught me a lot, too. He was basically my first senior grand prix horse. He’s telling me a lot about how to school lines, and we’ve grown a lot in the piaffe/passage work.”
click here for Grand Prix Special results
click here for Grand Prix Freestyle results
click here for Palm Beach Derby results
click here for 1-star Intermediate I results
click here for lovsta Future Challenge results
by Nancy Jaffer | Feb 26, 2026
A development proposal on the Isla Carroll property featuring a country club, a 10-stall barn for use by residents and a polo field was turned down by the Wellington Village Council this week. The count was 4-1, with only councilwoman Tanya Siskind voting in favor.
This was the second reading for the concept. Although a previous iteration eked out a 3-2 approval from the council on first reading in January, both Mayor Michael Napoleone and Councilman John McGovern, who reluctantly voted in favor of the plan, indicated they would not vote for it on second reading without changes. They wanted the project to be fashioned more in keeping with requirements of the municipality’s Equestrian Overlay Zoning District.
The original plan for the property presented last year called for using a 24-stall stable on site for animals that included rescue horses and offered a wide-ranging group of disciplines. After the Planning, Zoning & Adjustment Board indicated it would reject the project, it was withdrawn.
It returned as a Planned Unit Development with forty 0.43-acre homesites, a country club with a gym, restaurant and pool, and a polo field, one of two currently located on the site.
Under an agreement between property owner Frank McCourt, one of the founders of the show jumping Global Champions Tour, developer Discovery Land Company and the U.S. Polo Association, the latter would pay a $1 annual fee for a 45-year lease of the field (with a 10-year renewal option).
In this week’s presentation, it was reported that 13 of the homesites had been deleted from the plans and there would be four, two-acre lots suitable for those who want to keep horses on their property.
But even with the addition of the 10-stall barn, the mayor said the internal focus of the project is “the country club…not the 10-stall barn.”
McGovern noted “improvements have been made,” then added “we’re closer, but we haven’t gotten there yet.”
by Nancy Jaffer | Feb 12, 2026
The National Horse Show is adding another chapter to its storied history by relocating to North Carolina’s Tryon International Equestrian Center this autumn, pending approval from the U.S. Equestrian Federation.
During 142 years spread over three different centuries, the iconic show has had several homes. It is most identified with its reign in both the old and “new” Madison Square Garden arenas, which ended in 2001, but it has also been held at New Jersey’s Meadowlands, on Pier 94 by the Hudson River; in Wellington, Fla., and Syracuse, N.Y., before moving to the Kentucky Horse Park in 2011.
Organizers are hoping the shift Southeast to a different venue will be “a breath of fresh air,” said Jennifer Burger, the show’s president.
“I think people just needed a fresh outlook.”
Lexington can be a difficult location for a late autumn horse show. In 2025 “We had some tough weather…in Kentucky,” Burger noted.
“I can’t thank the Horse Park enough for being an incredible home for us.”
However, “Being the last on the line of indoor shows, people are so tired and they push themselves,” she said, adding it becomes really difficult when “you throw bad weather on top of that.”
“Kentucky was not ideal to be having the National Horse Show in November,” said Don Stewart, who was among a group of trainers that went to the organizers seeking a change.
“I think it’s a positive move,” said Stewart of relocating to Tryon.
While “everyone loved the (Alltech) arena,” said show chairman Bill Weeks, there were other issues.
Stabling in the shedrow-style stalls at the Horse Park is uncomfortable in cold and rain, as is being able to warm up horses outdoors in inclement weather. The U.S. Dressage Federation, whose championship used to run the week after the National at the Horse Park, moved to a facility in Ohio where everything could be run indoors.
A group of trainers approached the National’s organizers last year to ask for a move.
“We had to be responsive to our exhibitors,” said Weeks.
“We got the message that it just wasn’t working.”
Burger said the professionals will have a voice in how the National runs. The equitation and hunter committees, along with a West Coast rep, are all being given seats on the board.
“We want a constructive pathway, weaving the professional thoughts and opinions more directly into the board. It takes both groups to produce a quality event,” Burger explained.
Trainer Greg Prince, among those who will be on the board, said of the move, “I’m very excited about it. I think it will be fantastic.”
He believes the staff at Tryon “will move heaven and earth to get a fabulous horse show. I believe it is the right thing to do for the National Horse Show and they will gain a great deal from it. It shows incredible motivation on everybody’s part to try to make it what it should be.”
Stabling is all-weather at Tryon, and the indoor arena can be divided in half to serve as both a competition ring and a warm-up, as well as for schooling, Burger said.
Spectators didn’tt turn out strongly for the National in Kentucky. Attendance was a problem on days when there was racing at Keeneland, or the University of Kentucky was playing football or basketball.
But beyond that, as Weeks noted, “Lexington is a thoroughbred market, not necessarily a hunter/jumper (market). We could never really build a following there. That makes it hard to attract new sponsors.”
While dining and lodging options were not close to the Horse Park, restaurants and lodging are on-site at Tryon. That is a plus for both the National’s exhibitors and the show, which will benefit from the extra business as it extends the facility’s season during the three-year lease.
“We’re bringing a lot to the table,” said Weeks, noting the show/venue relationship is “more of a partnership” at Tryon, which hosted the 2018 FEI World Equestrian Games.
“Because our interests are aligned, I think they’re going to be very helpful in trying to turn people out to come to the show, because they obviously benefit from it, as well as we do. I’m excited about the move and I think it will create a lot of new energy at the show.
“This move gives us the best opportunity for a financial model and for the success of the show. We had a good run there (Kentucky) and we feel it’s the right time to try something new.”
He hopes that because competitors can eat and stay on site, people will be more apt to return to the arena to watch the show after their classes, rather than catching the action remotely on the live stream from their hotels.
The Oct. 21-Nov. 1 show, previously managed by Stephanie Lightner, will be run by Tryon’s JP Godard.
“Exhibitors will appreciate the improvements at Tryon since WEG,” said Glenn Petty, Tryon’s general manager for equestrian operations.
