It was a night like no other in the long history of Dressage at Devon.
The usual Friday feature of the Grand Prix for Freestyle qualifier was upstaged by an exciting newcomer: the Dance-Off.
It did more than fill the gap between the afternoon and evening programs at the Heritage show outside of Philadelphia. It transformed the staid image of dressage beyond what the usual musical freestyle could do in terms of energizing the crowd.
What a great idea: having pairs of riders compete against each other to the music of—get this—a live string quartet.
A lot of the work involved for the competitors was done before the competition started, decking horses out in glitter and glitzy quarter marks, and coming up with sparkling outfits for the riders.
The judging was done on a breakdancing template of Trivium: “Body, mind and soul,” that took into account technical proficiency, choreography and harmony.
The judges were breakdancer/choreographer Nemesis, professional breakdancing event host Ivan and rider Christoph Koschel of Germany, the only one with a dressage background.
Christoph knows a good thing when he sees it, and he was excited about the Dance-Off: “I think we need more of this in future,” he declared after the first round.
The initial pairing, James Koford and Lauren Chumley, did their routine to trot music. The second pair, Catherine Haddad-Staller and Lauren Sammis, performed theirs to canter music. The final dance-off involved James and Lauren Sammis, whose no-hands one-tempis probably clinched her victory,
Riding her own Daisy van Wittenstein and dressed as a breakdancer, Lauren was loving her moment of glory.
“It was so fun,” said Lauren, adding that next year, she wants to see two horses dancing in the arena at the same time.
Asked how she reacted when she first heard of the Dance-Off concept, Lauren said, “I certainly was hesitant to do it. Glitter’s not normally my thing.”
But she knew just how she wanted to present herself.
“All I did was pirouettes and one-tempis.”
She pointed out how nice it was to have the freedom of focusing on the movements her mare does best. She even did “no-hands” one-tempis for the first time in her life.
And it was good for the spectators.
“I think we’ve got to do things to pull in the crowd, because if you pull in the crowd, we have more money for our sport,” Lauren said.
Anne Moss, president of Dressage at Devon, agreed.
“What a concept! And how beautifully they implemented it for the first year,” she said of the Dance-Off.
“The riders were such showmen and the horses were so beautiful. I think it was actually more beautiful than the normal musical freestyle, because there was so much more freedom so they could show the highlights of the horse without being constrained by the number of strides or details. To see Lauren do that line of ones with no hands was fantastic.”
She gave credit for the idea and its execution to D at D board member Christina Morin-Graham, who got the team together. Christina also brought in Nicole DelGiorno, who ran through the timing to insure it went off as well as it did.
The Dance-Off was followed by the 3-star Grand Prix qualifier for Saturday night’s World Cup Grand Prix Freestyle. Back to business as usual.
While winner Yvonne Losos de Muñiz of the Dominican Republic and her fiery Dutchbred mare, Aquamarijn, put in a lovely performance to earn 71.283 percent, seeing riders in their regulation dark tailcoats after the high of all the sequins and glitter in the Dance-Off took a bit of readjustment.
The Grand Prix was important to Yvonne because she is preparing for next month’s Pan American Games and a run for the 2024 Olympics.
“I’m really excited,” said Yvonne, who was enjoying the show even beyond taking a blue ribbon. Her mare had been out for a year with an injury, and demonstrated that she had come back better than ever. She’s still spooky, however. Yvonne needed a lead back into the ring for the awards from Ben Ebeling, who was second on Indeed.
“I was here many years ago and I have to say, it will definitely be back on my agenda from now on,” said Yvonne.
“The atmosphere is like what we want to see in a show. I’ve got butterflies. Real show atmosphere and the audience is just amazing, the shopping, it’s great. I absolutely love it.”
Added Yvonne about her mare, “With a horse like her who is so high-spirited, she needs the atmosphere.”
It works in her favor, she explained.
“She’s 18 and feels like she’s five.”
Click here to see Grand Prix results.